Contents
Naked and Fallen
Jenna Citrus
Through Process
Emily Plummer
The Annex
Casey Burke
Tearing at Sores
Regis Louis
The Birth of Our Names
Tesneem Madani
Untitled No. 4
Sarah Kronz
Our Condition
Troy Neptune
On the Fundamentals of Art and the Soul
Ayla Maisey
In the Foreground
Aree Rachel Coltharp
Of a Woman
Jackie Vega
Freedom
Winafret Casto
The Seventeen Seconds of Odette
Rachel Lietzow
Hidden in Sight
Jenna Citrus
Barrio
Casandra Robledo
The Passage
Liam Trumble
Resentment as a Kind of Relief
Eric Kubacki
Beauty Standards
Sarah Kronz
Over the Kanawha
Claire Shanholtzer
Faith
Anne Livingston
Sponsorships & Acknowledgements
For Empty Spaces
Regis Louis
Entropy
Liam Trumble
Culled from the Flock
Deborah Rocheleau
Searching for Divinity
Madeleine Richey
From Pillars to Dust
Madeleine Richey
As Best I Could Do
Hoda Fakhari
In Your Absence
Emma Croushore
Contemplations
Sarah Kronz
The Shadow of Paris
Anika Maiberger
The Liffey
Kara Wellman
Memories of Home
Audrey Lee
Rind
Jackie Vega
The Beauty in Fracturing
Taylor Woosley
Butcher Paper
Casandra Robledo
Human Scavenger
Devin Prasatek
Babel Was a Second Eden
Luke McCusker
The Painting in Gallery 26
Sydney Crago
Palimpsest
Sofia Io Celli
Transposing
Ayla Maisey
As Best I Could Do
About The Author
Hoda Fakhari is a sophomore at the University of Illinois at Chicago where she studies biochemistry and English, with a concentration in media, rhetoric and cultural studies. Her work has been featured in UIC’s undergraduate literary and arts magazine, Red Shoes Review, as well as the 2015 issue of Brainchild