Contents
Naked and Fallen
Jenna Citrus
Through Process
Emily Plummer
Tearing at Sores
Regis Louis
The Birth of Our Names
Tesneem Madani
Untitled No. 4
Sarah Kronz
Our Condition
Troy Neptune
On the Fundamentals of Art and the Soul
Ayla Maisey
In the Foreground
Aree Rachel Coltharp
Freedom
Winafret Casto
The Seventeen Seconds of Odette
Rachel Lietzow
Hidden in Sight
Jenna Citrus
Barrio
Casandra Robledo
The Passage
Liam Trumble
Resentment as a Kind of Relief
Eric Kubacki
Beauty Standards
Sarah Kronz
Over the Kanawha
Claire Shanholtzer
Faith
Anne Livingston
Sponsorships & Acknowledgements
For Empty Spaces
Regis Louis
Entropy
Liam Trumble
Culled from the Flock
Deborah Rocheleau
Searching for Divinity
Madeleine Richey
From Pillars to Dust
Madeleine Richey
As Best I Could Do
Hoda Fakhari
In Your Absence
Emma Croushore
Contemplations
Sarah Kronz
The Shadow of Paris
Anika Maiberger
Memories of Home
Audrey Lee
The Beauty in Fracturing
Taylor Woosley
Butcher Paper
Casandra Robledo
Human Scavenger
Devin Prasatek
Babel Was a Second Eden
Luke McCusker
The Painting in Gallery 26
Sydney Crago
Transposing
Ayla Maisey
Faith
The air cannot decide if it is autumn yet,
so she wavers with the wind, only worse.
Numbly aware that she must move
because it is morning,
and the rise and fall of her own chest
will not preclude the sun from rising regardless.
Her bike trembles in the breeze:
arms taut and outstretched,
her whole body sways. Caught halfway
across the bridge, it is impossible to tell
whether dawn follows the river
or if the water rushes toward the sun.
To they are both pulling her, spokes
fixed on either side; she does not know
where to place her faith.
And it is early enough to speculate a god.
She can’t stop looking for a string,
something to keep her afloat
as she leaves one concrete for another.
There is no time here to trust in fate,
so her hands hurry to find the brakes;
she clenches her fingers and stops.
I was born in an intersection like this one,
born at a stoplight, into the crossroads.
Gifted the guide of green, then red light,
and a few golden moments to decide:
to disobey—to dance through traffic
too distant to be a threat.
Blessed, maybe, to cross unscathed.
With birth, we inherit this: the in-between,
as well as two seeing eyes, if we are lucky.
Luckier still, the will to look both ways
and wonder. Luckiest, to point
at long burnt-out stars and wish—
even if god never hung them there at all.
About The Author
Anne Livingston is a sophomore at Grand Valley State University, where she is double majoring in English and Spanish, hoping to fully dedicate her life to words. Although she typically works as a traditional poet, she also engages in poetry slams, winning her most recent competition. She believes in respecting rules, save those times when they are wrong about life or love or when/where to cross the street. This often leaves her heartbroken, jaywalking or both.