Contents

when I became the bleak
Faith Angiocchi

I Am Your Witness (I Promise)
Kenny Borsch

Offshoot
Isabella Kaufman

Our Own
Sasha Jade

Caramel
Em Loney

Riverbed
Emma Hoffman

The Final Birthday
Hannah Rieger

Through Her Eyes
Carleigh DeBrock

Letter to a Phoenix
Sydney Schimmel

Serenity
Carleigh DeBrock

There I Found the Sun
Paul Wagner

Luminescenza
Claire Palopoli

The Kingfisher
Josie Jones

Design Rationale
Audrey Pierson

Entropy
Emma Hoffman

ode to your cup of tea placed warm in my hands
Mady Thetard

mt
Carleigh DeBrock

A Heavy Space Between Us
Kenny Borsch

Silent Ephemera
Kai Clark

The Photo Taken By Ella Jean
Em Loney

Lapsed
Em Loney

Field Lament
Elizabeth Angione

Under the Mirror
Paul Wagner

Idolatry
Braylon L. James

Veiled Fragility
Kai Clark

Vanity
Braylon L. James

Will I Ever See You Again?
Kenny Borsch

Lush
Rinoa Chech

 

Field Lament

Backwards and backwater,
hateful and hillbilly,
boring and barren.

My home is forgotten,
a speck of dust on the shelf.
The people here are bitter;


they assume and mutter. 
Of course we do, I say.
We have been completely fucked over

We suckle from a dry mother,
our arid landscape scorched
by aloof fathers and ungrateful
sons and daughters.

They cling to any hope
for an acknowledgement, for a mutter
from their favorite politicians,
for a chance to be remembered.

Nobody notices the
tiny Tuscarawan town
unless children are dying
and a governor stands his ground. 

As fast as fame occurs
it quickly evaporates. 
Our families weep and mourn
while outsiders grow bored. 

My people lean hateful,
unfortunately so,
but when you’ve been exhausted
since age fifteen,

you’ll be sympathetic to the man,
bearded and tatted, missing a finger.
And you’ll trust him more than
suit-clad men with gold teeth.


ABOUT THE AUTHOR

Hi, I'm Elizabeth! I am a history major at Kent State with a hobby for poetry, as well as sketching, writing, and making jewelry. I started using poetry as an alternative to journaling, so most of my poems involve me ranting about whatever annoys me. I come from a very small town on the outskirts of Appalachia, and I was annoyed when people I met from my area scofted when they learned which high school I attended. So, I wrote Field Lament as a way to let the town speak for itself rather than how people may perceive the residents.