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Leave the Light On
Ryan SpaldingSharpie Sharpened Blades
Sage HardimanSparks
Lilly BratkaTiana’s Band
Karsyn SharpExcerpts from “The Melted Clock Strikes Midnight”
Jacob MartzaklisThey Say Uncivil Blood Makes Uncivil Hands Clean; ‘tis Yours in the Bowl Wherein I Wash
Tayleigh FoldenDEVOUR
Madison Mooreprotecting public media, nature, & the idea of my father
Ada CobbsFruit Shrine
Ajallah ToureLittle Planet
Emily RiebeThe Archivist
Treasure A.So Very Much
Olivia LattyFrankenstein is the Doctor
Tayleigh FoldenToday’s the Day
Jada MartinSomeday I’ll live in New York and I won’t think of you
Audrey L. KinningerAcidic and Sour and Pulsing
Rin MitchellA Post-Autumnal Observation
James Beckbedlam and strife
Everett MartinPersephone in the Age of “Thoughts and Prayers”
Hannah RiegerThe Life Cycle of a Star
Ajallah ToureTicket Out of Here
Cecil MarnellSharpie and Scissors
Hannah RiegerDomestic Bliss
Hannah Levengoodscabbed garden
Hannah LevengoodThe Bearer
Hannah RiegerIllusion of Choice
Teresa MorekSavior Complex
Ada CobbsAfter Ana Mendieta
Kai ClarkSpill My Guts
Hannah LevengoodBreakdancin’ on the Block
Karsyn SharpExcerpts from “Apocalypse”
Jacob Martzaklis
Domestic Bliss
Hannah Levengood
I am a double major in Art Education and Art History with minors in drawing and painting. My poem, “scabbed garden,” puts into words my previous struggles with self harm. I share this work as an act of vulnerability and as an homage to those who helped me remain here today. My work Domestic Bliss 1 exists within a body of work exploring the roles played by women within midwestern, domestic households. The work intends to confront the expectations placed around the female identity while championing matriarchal figures in the home and confronting the societally accepted entrapment and abuse of said figures. Utilization of imagery associated with femininity as reference to a sacred architectural structure alludes to the matriarchal identity as playing an essential role in the midwestern household. Spill My Guts exists as a confrontation of the female form as used traditionally in the art history canon to bring awareness to the abuse inflicted upon women based on their gender. The figure, seen in the relaxed, reclining nude position, is presented similarly to that of roadkill, which society chooses to drive past and ignore. The duality of her image forces the audience to acknowledge violence against women head on, despite their disposition to avoid the topic.
